Our second database trial for June is also likely to interest architects and building designers.
DETAIL Inspiration is an image and reference database that uses precise, relevant visual inspirations to support architects in their search for construction solutions. With more than 3,300 projects from the last 32 years, DETAIL inspiration is a highly valuable source of research and inspiration for architects, giving access to reference photographs, sketches, technical product information, within a clearly structured search and filter system.
All project descriptions are available for download. The database design is optimized for smart phone, tablet and desktop.
Architects, artists and building engineers may find our latest database trial of great interest to them.
The database Building Types Online draws on the expertise and the high international standing of Birkhäuser and comprises the knowledge and content of selected Birkhäuser manuals in typological order. The approx. 850 case studies are documented with texts by authors who are experts in their fields and with approx. 5000 architectural drawings of high quality as well as 2000 photographs of the buildings.
Using a systematic and analytical search and browse structure that allows all kinds of combinations, the database provides solutions for numerous design tasks in study and practice. This tool will facilitate research on building typology and architectural design assignments.
Thematic articles provide background information on individual building types or explain specific aspects such as lighting, acoustics, urban considerations, access types or planning processes. The users, be they in academia, architectural practice or students, will be offered a comprehensive online resource on building types based on seminal buildings of the past 30 years. Housing as one of the most frequent design tasks forms a large focus of the database.
As part of the Politicized Practice Research Group Seminar Series, the School of the Arts, English & Drama will be staging Curating National Narratives in the new Radar ArtSpace next Wednesday 10th May.
This joint talk by Sofia Mali and Marina Maximova will explore the different ways that national narratives are reproduced and communicated through exhibitions. It will examine the curatorial processes taking place in different settings: European national museums and the Venice Biennale.
The event takes place between 12-2pm on Wednesday 10th May in the Radar ArtSpace in the Edward Barnsleu Building. Admission is free, but booking is required – to do so, email your interest to firstname.lastname@example.org.
Two new free exhibitions by local artists has begun in the Sock and Sockette Galleries at the Loughborough Town Hall this spring.
Buildings in a Landscape, hosted in the Sock Gallery, is a collection of water colour art by Felicity Jackson. Felicity paints on-the-spot, taking in the colour and feel of the moment. Within a landscape she likes to seek out buildings which are mellowing and blending into their surroundings. Watercolour is her favourite medium, giving a lovely delicacy and spontaneity, but she has recentlydiscoveredpastels too. Most of her subject matter is strictly representational, but whatever the subject, she tries to capture the essence and spirit. (Runs from 20th April – 10th June).
In the Sockette Gallery take a trip into the unknown with the Beasts of Solaris by Tom Walker. Inspired by Stanislaw Lem’s science fiction novelSolaris (latterly filmed by Steven Soderbergh in 2002) this series of images seeks to explore the mysterious consciousness that lies in parallel to this planets mutating landscape. Tom believes that people’s inability to represent their own experiences of nature accurately, is due to the limitations of whichever medium chosen, and is therefore crucial to his disinterest in attempting to depict reality. Tom chose to present a fictional landscape that the senses desire to explore. (Runs from 4th May – 9th September).
The Sock Gallery and Sockette are free to enter and are open Monday – Saturday from 9am – 5.00pm and when the Town Hall is open for shows.
The Radar Artspace at the Edward Herbert Building is hosting a new interactive project this Wednesday lunchtime (22nd March) between 1-2pm.
Crazy Like Machines is a dance and visual art project with a social and political backdrop which aims to build an accessible and informal educational methodology to develop an innovative model of collaborative research and participatory performances.
Pushing the boundaries between verbal and non-verbal communication to explore the role of immediacy and mediation in drawings and dance to create cohesion in the group, the audience is encouraged to be actively part of an ongoing creative process in the form of performative workshops in order to build a ‘personal and non-linear visual narrative manifesto’.
Chiara Dellerba is a visual artist whose work experiments with the potential energy of the human body. Her pieces are often site-specific with an interest in the dichotomy between energy/movement, and time of reaction/determined space. Dellerba’s practice is an organic open work structure of experimentation using a system of signs and methodologies. She investigates the unconscious necessity for human beings to regenerate their lives, their environment, their relationships, and their way of perceiving a reality in order to be actively part of it.
Radar celebrates its 10th anniversary this month with a display of artworks, printed materials, film screenings and events at the Martin Hall Exhibition Space.
This anniversary gives Radar the opportunity to reflect on the breadth and depth of their broad range of interdisciplinary projects that have been initiated with artists and Loughborough University academics.
Through a series of highlights Radar shares examples of their project work that has had, and continues to have, great impact on Loughborough students, staff and local communities, as well as making a vital contribution to the wider cultural sector and economy.
Launched in 2007 by LU Arts, Radar is a programme of contemporary art commissions, talks and films themed around the research activity of the University. You can dip back into their own archives on their website: http://www.arts.lboro.ac.uk/radar/
The Exhibition starts tomorrow, 13th March, and runs until 14th April. Opening times for the Exhibition are 10am – 5pm daily.
A new exhibition of postcards inspired by the theme “transience”, created by students of Loughborough University School of the Arts, English & Drama, and students of 2nd Year Undergraduate Class, Concentration in Oil Painting & Printmaking, Joshibi University of Art & Design, Japan, goes on display at the Fine Art Building next week.
Each year the students studying in the Major of Art & Culture at Joshibi University of Art & Design go on a European class for a one month period for the subject Overseas Arts Studies 2B.
As part of that program, they hold an exhibition at the university they visit. Last year, the second year students majoring in Arts and Culture (currently third year students) held the “Enigma exhibition” at Loughborough University in the UK and also interacted with local students.
Through this kind of work exchange, it is hoped to learn the culture of each other through the exchange of students and to exchange through the language of “art”.
The exhibition runs from Monday 20th February until Friday 24th February, open 10am – 4pm.
LU Arts presents its first major exhibition in its new exhibition space at the Martin Hall beginning this week. Resonance is the result of a joint programme with the Joshibi University of Art & Design in Japan, featuring work by their second-year undergraduate students studying oil painting, printmaking, and related art.
It opens at 10am on Friday 17th February and closes on Friday 24th February. Opening times are 10am – 4pm week days – the exhibition space is closed at weekends. Entrance is free.
Following 2014’s Talk Action programme, Radar has extended engagement with DARG (Discourse Analysis Research Group) with the production and presentation of a new work by Nicoline van Harskamp which continues her preoccupation investigating the global use of English by non-native speakers worldwide, and the imagining of the (aesthetic) properties of a future spoken global language.
Englishes is a series of video works by Nicoline van Harskamp, that explore the widespread use and modification of the English language by its non-native speakers. The series depicts the development of the plurality of spoken English that displaces the perceived position of primacy occupied by dominant strains of the language. It addresses the political import of this linguistic development, and proposes a dissolution of English into “Englishes,” co-opting it as a common and ever-growing linguistic resource, as well as a medium for artistic practices.
Nicoline van Harskamp has undertaken a series of ‘language experiments’ with art institutions and universities across Europe. In Loughborough, she worked with the Discourse and Rhetoric Group (DARG) and produced the video “Apologies and Compliments” that was first shown as part of a major exhibition at BAK in Utrecht, Netherlands (24 September – 20 November, 2016) and at the Center for Contemporary Creation Andalusia in Cordoba, Spain (19 December – 16 April 2017).
To complete her commission with Radar, Nicoline hosts a public event, Englishes – A Conversation on Friday 24th February 2017, 1 – 5pm at the LU Arts Project Space on the 1st Floor of the Edward Barnsley Building. In this event, Nicoline van Harskamp will present several videos from the series and discuss them with the audience and invited guests.
The event is free, light refreshments will be served and booking is possible via the link below:
Join Dr Fred Dalmasso of the School of Arts, English & Drama next week for a lively discussion on the notion of ‘syncopolitics’
Dr Dalmasso has coined the term syncopolitics in response to Catherine Clément’s seminal book, Syncope – the Philosophy of Rapture, where she stresses that “syncope is spectacle, it shows off, exposes itself, smashes, breaks, interrupts the daily course of other people’s lives, people at whom the raptus is aimed.” Dr Dalmasso will look in particular at how the image of syncope and the syncope of the image might radically displace or dissolve the self and thus offer strategies of resistance against norms through renouncement or disappearance; a recess of the image that he considers as a sine qua non condition for thinking politics as what can only happen within a horlieu (an out-place or non-place) of representation: a syncopolitics that resonates with what Badiou calls inexist[a]nce.
The discussion will be taking place in the Radar ArtSpace in the Edward Barnsley Building on Wednesday 15th February between 2-3pm. Entrance is free but booking is required – please email email@example.com if you would like to attend.