We’re thrilled to bring you our new acquisition, Victorian Popular Culture from Adam Matthew Digital. This primary source archive is an important research resource for historians, social scientists and literary scholars, spanning the period from 1779 to 1930 and showcasing popular entertainment in Britain, America and Europe.
Explore a wealth of media history in the form of printed books, early film, posters, playbills, photographs, objects and ephemera as well as contextual essays and an interactive chronology. Collections include: Moving Pictures, Optical Entertainments and the Advent of Cinema; Music Hall, Theatre and Popular Entertainment, Spiritualism, Sensation; Magic and Circuses, Sideshow and Freaks.
Access is via IP address. To begin searching go to:
Television fans take note – the popular Box of Broadcasts (BoB) Service will be unavailable between 11th – 13th June 2018.
Owing to a necessary relocation of their servers, BoB will be switched off on the morning of 11th June 2018 and will be completely unavailable for 3 days. Forward scheduling on the EPG will be available up to 11th June and then will restart once the move is complete. Programmes broadcast during the down-period will be available retrospectively for most channels.
The University is marking the end of another successful academic year with a brand new Arts Festival on campus this June.
Organised by LU Arts, Loughborough University’s arts programme, the festival will bring together local artists and leading creatives, academics from the School of Arts, English and Drama, students and alumni.
The festival – which is to run from 6th-16th June – is a mixture of both daytime and early evening events, which include student showcases, alumni presentations, discussions and theatre performances.
The line-up features talks with talented individuals such as writer and poet Kate Rhodes, portraitist Alastair Adams and illustrator and alumna Katy Halford, creator of Moz the Monster (from the 2017 John Lewis Christmas advert).
In addition, there will also be a discussion with renowned food writer William Sitwell (a regular on BBC’s Masterchef), and a Skype call with installation and performance artists Tania Bruguera.
Art students and art lovers alike will find our latest database trial of great interest, as we take a trip through the archives of Oxford Art Online’s Grove Art Online.
This trial provides access to the foremost scholarly art encyclopedia, covering both Western and non-Western art. First published as the landmark 34-volume Dictionary of Art, edited by Jane Turner, the content of Grove Art encompasses all aspects of visual culture.
Take a trip back in time to the smoky world of music halls and circus tents with our latest database trial courtesy of Adam Matthew Digital.
Victorian Popular Culture is a portal comprised of four modules, inviting users into the darkened halls, small backrooms, big tops and travelling venues that hosted everything from spectacular shows and bawdy burlesque, to the world of magic, spiritualist séances, optical entertainments and the first moving pictures…
On Monday May 15th the School of the Arts, English and Drama is hosting an evening dedicated to celebrating the creative writing produced by their talented postgraduate students.
Their graduating MA Creative Writing cohort will read a selection of work from the portfolios they have developed over the last year. You can expect to hear poetry, young adult fiction, thriller, sci-fi and lots more, with each student reading for approximately 10 minutes.
The event is taking place in the Stanley Evernden Studio in Martin Hall, between 7-9pm. Refreshments will be provided. To book your place, visit the link below:
The Edward Herbert Building is hosting a free screening of the film, I, Daniel Blake, followed by a discussion led by CPWS researchers, next Wednesday (3rd May) at 6pm.
I, Daniel Blake is an important and powerful film about the nature of work and life on benefits in contemporary Britain. Directed by Ken Loach and starring Dave Johns as the title character, it won the prestigious Palme d’Or at the 2016 Cannes Festival.
LU Arts kicks off the start of term with a story of empire, education, elitism and the Church of England.
The Loughborough Legend tells the enthralling true story of a young boy who dared to dream…and James Arthur Harley dreamed big, leaving his island home of Antigua in the 1890’s to navigate the doubled complexities of the oppressive racism in America and England with grace, style and dignity to achieve an esteemed education and his childhood ambition, but at what price?
The gifted scholar attended Yale, Harvard and Oxford universities at the turn of the 20th Century, before becoming the 1910 Shepshed curate who reinvigorated the local community, and the 1920s Councillor and Loughborough College Governor dubbed the Stormy Petrel.
Written and presented by Pamela Roberts, author, historian and new playwright, The Loughborough Legend is on at the Cope Auditorium on Saturday 6th May at 7pm. Tickets cost £5. To book online visit the link below:
March 21st is UNESCO’s World Poetry Day, not only a celebration of the poetic forms of literature in all its infinite variations, but also to encourage learning and teaching of poetry across the globe.
The Radar Artspace at the Edward Herbert Building is hosting a new interactive project this Wednesday lunchtime (22nd March) between 1-2pm.
Crazy Like Machines is a dance and visual art project with a social and political backdrop which aims to build an accessible and informal educational methodology to develop an innovative model of collaborative research and participatory performances.
Pushing the boundaries between verbal and non-verbal communication to explore the role of immediacy and mediation in drawings and dance to create cohesion in the group, the audience is encouraged to be actively part of an ongoing creative process in the form of performative workshops in order to build a ‘personal and non-linear visual narrative manifesto’.
Chiara Dellerba is a visual artist whose work experiments with the potential energy of the human body. Her pieces are often site-specific with an interest in the dichotomy between energy/movement, and time of reaction/determined space. Dellerba’s practice is an organic open work structure of experimentation using a system of signs and methodologies. She investigates the unconscious necessity for human beings to regenerate their lives, their environment, their relationships, and their way of perceiving a reality in order to be actively part of it.