{"id":340,"date":"2022-01-10T11:31:27","date_gmt":"2022-01-10T11:31:27","guid":{"rendered":"https:\/\/blog.lboro.ac.uk\/tracey\/?p=340"},"modified":"2022-01-10T11:31:28","modified_gmt":"2022-01-10T11:31:28","slug":"bob-and-alice-through-the-green-box-glass-drawing-as-a-theory-of-everything","status":"publish","type":"post","link":"https:\/\/blog.lboro.ac.uk\/tracey\/bob-and-alice-through-the-green-box-glass-drawing-as-a-theory-of-everything\/","title":{"rendered":"Bob and Alice Through the Green Box Glass :Drawing as a Theory of Everything"},"content":{"rendered":"\n

Edwin VanGorder<\/p>\n\n\n\n

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The nature of what we might call drawing as itself a theory of everything proceeds from the general intimation by which Duchamp quotes Joseph Wright of Derby\u2019s painting Allegory of Alchemy in the forms of the Nude Descending Staircase and Philosophy and the conceptual \u201cderby\u201d Duchamp mentions in is his notes which may as well include of course the Wright brothers in which the end of history ethos is as a bonding per Duchamp\u2019s recasting the Phaedrus to the neo- space of his n dimensional chess bridging Davinci and Einstein( note that Duchamp\u2019s roto reliefs via Roger Penrose and wife\u2019s own book on these objects mark them as highly influencing early black hole mathematics just as one also hears the French artist\u2019s voice in \u201c cosmic censorship\u201d as term for \u201csingularity\u201d!…..
With Frank Lloyd Wright\u2019s similar ethos \u2018bringing the outside inside\u2019 we can appreciate then in particular the Bottle Rack as implicating a Klein bottle or dimensional mobius strip as indeed became Hawking\u2019s model for the prime motion of the universe to coin a phrase for this \u201cStrange Loop\u201d Hofstadter ie Goedel Escher Bach years since GEB publication finds at this moment a Renaissance in physics and cosmology in others which in so doing also becomes in sense bonded to the viewer\u2026
Dialogue of Robert Smithson and Duchamp: Smithson: \u201cyou are an alchemist\u201d Duchamp: \u201cyes\u201d \u2026 ( especially note how his answer is open ended\u2026)\u2026
Drawing as a theory of everything studies between \u201c delimiting\u201d as \u201cI bound, I enclose\u201d in Latin to the Graphos of Greek as \u201c I draw, I write\u201d\u2026 through which Bob and Alice through The Glass arrive in my illustrations to the Green Box via the transitive moment that is drawing\u2026which is as to view through the lens of illustrating the Green Box : I am interested here in the new solutions to the Three Body problem\u2026 Just as the Nude may be standing on a space time escalator the position of one body considered entirely as velocity serves as a state of equilibrium by which the others unknown histories may resolve to proxemics of the math. Similarly in a drawing ambit I embark on an allegory of the problem of relating the primordial state of space itself as a low energy infinity of quantum expansion these states may become the occulist witness or state of equilibrium become closed one it yet surpasses.<\/p>\n","protected":false},"excerpt":{"rendered":"

Edwin VanGorder The nature of what we might call drawing as itself a theory of everything proceeds from the general intimation by which Duchamp quotes Joseph Wright of Derby\u2019s painting Allegory of Alchemy in the forms of the Nude Descending Staircase and Philosophy and the conceptual \u201cderby\u201d Duchamp mentions in is his notes which may […]<\/p>\n","protected":false},"author":505,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"lboro_blog_alternative_thumbnail_image":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"class_list":["post-340","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/users\/505"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/comments?post=340"}],"version-history":[{"count":1,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/340\/revisions"}],"predecessor-version":[{"id":343,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/340\/revisions\/343"}],"wp:attachment":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/media?parent=340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/categories?post=340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/tags?post=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}