{"id":400,"date":"2022-03-28T11:24:29","date_gmt":"2022-03-28T10:24:29","guid":{"rendered":"https:\/\/blog.lboro.ac.uk\/tracey\/?p=400"},"modified":"2022-03-28T11:24:31","modified_gmt":"2022-03-28T10:24:31","slug":"brane-and-membrane-of-drawing-through-the-cosmic-web-n-dimensional-speidos-and-speed-of-the-weave-cosmological-constancy","status":"publish","type":"post","link":"https:\/\/blog.lboro.ac.uk\/tracey\/brane-and-membrane-of-drawing-through-the-cosmic-web-n-dimensional-speidos-and-speed-of-the-weave-cosmological-constancy\/","title":{"rendered":"Brane and Membrane of Drawing Through the Cosmic Web N Dimensional Speidos and Speed of the Weave Cosmological Constancy\u2026"},"content":{"rendered":"\n

Edwin VanGorder<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Brane and Membrane of Drawing Through the Cosmic Web N Dimensional Speidos and Speed of the Weave Cosmological Constancy\u2026<\/p>\n\n\n\n

Cabanne on Duchamp Mirroring models in his introduction a gambit of the Glass wherein he references Duchamp\u2019s own marking a \u201cderby\u201d of Wrights ie Joseph Wright of Derby and his \u201cbrothers\u201d stripping bare as it were the cloak of painting \u201cPhilosophy and Alchemy\u201d with some Frank Loyd Apostrophe of inside and outside \u2026 altogether then perhaps to the vestiges of arena of wholeness composed to all apposite visual and n dimensional transitive environment modelled very likely in the malic molds to Brancusi\u2019s studios which he Brancusi insisted kept intact as his museum similar to his exclusive \u201crights\u201d to photography.(the studios maintained as well the \u201cpresence\u201d of works sold via plaster casts\u2026 this presence of the work finds it\u2019s way into Duchamp\u2019s otherwise n-dimensional chess\u2026an insistence on the ranks from gambit or opening as mathentos or Brane\u2026to membrane as it were to coin a meme.
The Cabanne Intro compares to physicist Bohm\u2019s \u201cRhea Mode\u201d which reflective of his confederate Einstein considers raising to view a second time to review towards \u201crelevance\u201d or re levanting (levate to lift to view ie implicative of the broad Sanskrit sense of drawing to view)
\u201cspeidos\u201d Greek for branching of \u201ceidos\u201d or idea thus a branch of the branch is \u201cspider\u201d
Thus Cabanne give three introductions, one by the Mawkish Marquee Dali who assiduously illustrated the green box throughout his paintings to a degree he was almost the Gozoli of Duchamp\u2019s Monastic heir of Tres Riche Heures now anagrammatic shall we say to \u201cheuristic rose\u201d\u2026 and also in the NY genesis Motherwell as reflective on conversational time and Johns towards language space.
I would add to this a right Duchamp has earned to be compared with Heraclitus both in their hermitic yet dialectical outlook and their wedding of Physics and Art of which Duchamp pointedly returns Davinci as an example of a reverse of the expectations that art Is influenced by technology\u2026.<\/p>\n","protected":false},"excerpt":{"rendered":"

Edwin VanGorder Brane and Membrane of Drawing Through the Cosmic Web N Dimensional Speidos and Speed of the Weave Cosmological Constancy\u2026 Cabanne on Duchamp Mirroring models in his introduction a gambit of the Glass wherein he references Duchamp\u2019s own marking a \u201cderby\u201d of Wrights ie Joseph Wright of Derby and his \u201cbrothers\u201d stripping bare as […]<\/p>\n","protected":false},"author":505,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"lboro_blog_alternative_thumbnail_image":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"class_list":["post-400","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/users\/505"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/comments?post=400"}],"version-history":[{"count":1,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/400\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/400\/revisions\/402"}],"wp:attachment":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/media?parent=400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/categories?post=400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/tags?post=400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}