{"id":632,"date":"2023-08-21T10:58:58","date_gmt":"2023-08-21T09:58:58","guid":{"rendered":"https:\/\/blog.lboro.ac.uk\/tracey\/?p=632"},"modified":"2024-04-16T22:12:38","modified_gmt":"2024-04-16T21:12:38","slug":"drn2023-drawing-in-relation-the-order-of-drawing-online-exhibition","status":"publish","type":"post","link":"https:\/\/blog.lboro.ac.uk\/tracey\/drn2023-drawing-in-relation-the-order-of-drawing-online-exhibition\/","title":{"rendered":"DRN2023 Drawing in Relation: The order of drawing online exhibition"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/blog.lboro.ac.uk\/tracey\/wp-content\/uploads\/sites\/44\/2023\/08\/1.01G_Ricci_parallele_bend_folding-Giulia-Ricci-1024x768.jpg\" alt=\"\" class=\"wp-image-633\" srcset=\"https:\/\/blog.lboro.ac.uk\/tracey\/wp-content\/uploads\/sites\/44\/2023\/08\/1.01G_Ricci_parallele_bend_folding-Giulia-Ricci-1024x768.jpg 1024w, https:\/\/blog.lboro.ac.uk\/tracey\/wp-content\/uploads\/sites\/44\/2023\/08\/1.01G_Ricci_parallele_bend_folding-Giulia-Ricci-300x225.jpg 300w, https:\/\/blog.lboro.ac.uk\/tracey\/wp-content\/uploads\/sites\/44\/2023\/08\/1.01G_Ricci_parallele_bend_folding-Giulia-Ricci-768x576.jpg 768w, https:\/\/blog.lboro.ac.uk\/tracey\/wp-content\/uploads\/sites\/44\/2023\/08\/1.01G_Ricci_parallele_bend_folding-Giulia-Ricci-1536x1152.jpg 1536w, https:\/\/blog.lboro.ac.uk\/tracey\/wp-content\/uploads\/sites\/44\/2023\/08\/1.01G_Ricci_parallele_bend_folding-Giulia-Ricci-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Giulia Ricci, Parallel \/ Bend (Folding), 2019, permanent marker on wall (with protective varnish) hand drawn cut vinyl on glass, approx. 200x2000cms. \u00a9 Giulia Ricci<\/figcaption><\/figure>\n\n\n\n<p><em>T<strong>he order of drawing<\/strong>&nbsp;<\/em>is an online exhibition of international contemporary drawing, selected by guest curator Arno Kramer (Netherlands). The exhibition accompanies the&nbsp;<a href=\"https:\/\/blog.lboro.ac.uk\/tracey\/\">Drawing Research Network<\/a>\u2018s 2023&nbsp;<em>Drawing in Relation&nbsp;<\/em>series of research presentations organised by the Drawing Research Group (DRG) at Loughborough University.&nbsp;&nbsp;Submissions were invited to the call for drawings in response to the theme of \u2018drawing in relation\u2019 suggesting that drawing can be considered relational; it is a means by which relations and the conditions through which they are created, maintained, and broken can be investigated.&nbsp; Submissions were invited&nbsp;from anyone practicing drawing in a traditional or expanded way and we received over 300 drawings from artists across the globe in response. From the submissions, Arno selected 30 drawings that represented diverse approaches and responses to the theme.&nbsp;<\/p>\n\n\n\n<p>Exhibition accessible here: <a href=\"https:\/\/www.lboro.ac.uk\/schools\/design-creative-arts\/the-order-of-the-drawing\/\">https:\/\/www.lboro.ac.uk\/schools\/design-creative-arts\/the-order-of-the-drawing\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The order of drawing&nbsp;is an online exhibition of international contemporary drawing, selected by guest curator Arno Kramer (Netherlands). The exhibition accompanies the&nbsp;Drawing Research Network\u2018s 2023&nbsp;Drawing in Relation&nbsp;series of research presentations organised by the Drawing Research Group (DRG) at Loughborough University.&nbsp;&nbsp;Submissions were invited to the call for drawings in response to the theme of \u2018drawing in [&hellip;]<\/p>\n","protected":false},"author":505,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"lboro_blog_alternative_thumbnail_image":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[5],"tags":[],"class_list":["post-632","post","type-post","status-publish","format-standard","hentry","category-events"],"_links":{"self":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/users\/505"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/comments?post=632"}],"version-history":[{"count":6,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/632\/revisions"}],"predecessor-version":[{"id":639,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/posts\/632\/revisions\/639"}],"wp:attachment":[{"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/media?parent=632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/categories?post=632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lboro.ac.uk\/tracey\/wp-json\/wp\/v2\/tags?post=632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}