Edwin VanGorder

I) Hyperion Planes as Parton Palaces of the Drawing Memory Surviving the Mathematical Mirror.
II) 1.1 and Time Delay Deluxe….
Consider 1.1 as the magic skew parameter of thin material hyperconductivity. One can see this is Euler’s foundation also in it’s recursive establishment of a bijective base upon which the orders of string length as log in relation n dimensional permutation form a Goeddel like mapping of the transpose of subscript to super script or f to f-1 build the mapping of the function mirroring itself in an extension from which the diagonal as both k and z pressure and hypotenuse mass determinant in section of square to oblong as square root of two is in and of itself a vector number and divided is then introducing a negative in that one describes then a complementary space. The next division then marks that which will then add reciprocals as under the curve and these passing midline reverse from describing the complement via packing via the mirror as then transpose and so this multiplying factor states the time function whereas having multiplied so to speak 1.1 by .5 we can then find the space of the function by now dividing 1.1 and find .5 landing apparently on Reimann’s critical strip. With 2.718… we see with Eulers number 1.618 added 1.1 where the golden section places to the relation to the square root of five the dual stability images of the squares in 2.236 from a square centering placing the famous palace of mirrors to unity. This accomplished in that interval then allow numbers to be bijective in their mirror reading (via 1.1)…..thus 2.718 reads as .8172 and the number 2.71828 then finds .1828 the complement of .8172 and so the transposing structure of the lengthening mirroring is introduced. .8172 of course in reciprocal is 1.2236 and doubled is the square root of six thus advancing the square root system from square root of five to six and fixing a Clifford Diagonal. In my drawing then I proceed from here to recognize in the octonion axes the spinor corollary to build on the simplicity of the wraparound content of the natural log in its extended space time drawing memory palace over the partons

1.1Time Delay Deluxe
It could well be that Duchamp’s Delay in Glass is poised as an insight into the realization that after base ten there are more than ten digits, thus looking a Euler’s presentation of the modification of the parameter with word” modification” a very apt verbal consequence e.g. introducing a mod status to rotating plane as it were of the exponential to log where thus the transform of log has a corollary to change of base on the grounds of the continuity the observer and as such places on each state of each measure the reflection of process. Therefore his follow up of “to be looked at through one eye only for nearly an hour”… reveals his “insight”…. That the “Prime” clock one might devise as showing the change space introduces on ones counting as in the Berry Curve…is one of many signals on combinatorics one may derive… for example considering a chart of the bases 10, 2, 8,11,6 and unary , where the counting of each of these as mod by zeros and ones stretched to respective bundles show 8,11,16 as matching the decimal up to number 8 at which is a divergence marked in the number .81 which states in brane context the ratio 1 to 8 as a tract and the reciprocal reveals this as .81 equals 1.2345679, following suit with the digits beyond base ten then the delay could be construed as selecting a new base to express the same sum as a process at this point essentially the square root of one.

In my work the equation takes the form of drawing as the work of mathematical play and mathematical work as the play of drawing…. “i” to eye 101 to 1.1”The artist’s book is not bound by convention…..