Smithson./Duchamp:Duchamp Smithson Anastrophic Pause
Edwin VanGorder Or Korai Anastrophe (stepping aside)) in that:One may see in Heraclitus’ “ fated necessity “ that nature obeys nature and…
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Edwin VanGorder Or Korai Anastrophe (stepping aside)) in that:One may see in Heraclitus’ “ fated necessity “ that nature obeys nature and…
Lucia Cunningham Clay Soil Sediment Drawing onto Puddle, 2021 This series of events aims to explore Ecologies of Drawing and how they…
Drawing Matters was a one-day symposium, convened by Vanessa Corby, Lucy O’Donnell and Sally Taylor at York St John University in 2017.…
Karna Mustaqim k4rna Untitled-11, 2020 These drawings are made from purely abstraction into form analysis turned to asemics writing.
Symposium Report - UWE Research Authors: Lucy Ward, Gary Embury, Anouk Mercier & Chloe Regan Introduction In this article we outline and…
Rachel RECKITT (1908-1995), Spanish Refugee Family, 1940, RAF Museum LEARNING PATHWAYS / CALL TO ARTISTS Our 2021-22 drawing workshop will be held in…
Interface: The Interdisciplinary Nature of Drawing 12.30-13.30 (BST) Thursday 24th June 2021 A discussion and Q&A with artists and researchers about how…
Claude Heath, Pepper Plant, 2001. Acrylic ink on paper, mounted on board, on aluminium, two panels, each 45.8 x 56 cms. Interface: The…
Thank you to Daniel Fountain for chairing the final event in the series in the Temporal Drawing series, to presenters Coco Guzman…
James Carey To hazelhurst and back [seventeen hours drawing/erasing] assembled residues from the process of drawing and erasing, 2017 Drawn to Time is…